My apologies for the long absence, internet. Sketch writing is hard. REALLY HARD. Like, opening a document and staring at it for nine straight hours hard. Kind of like academic paper writing, come to think of it, but without the ability to quote from giant stretches of someone else’s text. A pity, that.
But here I am, with thoughts. And my chief concern is about tonality. I stress all the time about striking the right tone, especially when I get excited. And I don’t see any virtue in adapting some kind of jaded hipster attitude and pretending that I think everything is shit. I certainly don’t feel that way at all. I genuinely like a lot of stuff, and some of it I get downright Dug-enthusiastic over.
I was trying to hammer out some kind of piece on America– why, despite the Tea Party and vasectomy-reversal billboards, it’s kind of an amazing place. That contrary to what Fitzgerald said, there are second acts in American lives. I’m not a nationalist, nor am I a patriot, really, in the modern sense of the word. But I believe you can recognize that modern nation-states are ideological abstractions and still feel affection for them, as this Onion piece would have it.
But the tone. The tone is what’s tricky. So I shelved it. Because I am not Sarah Vowell. I find sincerity quite hard to transmit without sounding twee, or over-intellectualized, or facetious. It’s why I also have difficulty striking the right balance when I like something.
Right now I am watching The Thick of It, an amazing show about political spin in modern UK politics. I am attaching a clip, but it is sweary beyond compare. So NSFW, unless you happen to work in a mine or a pirate ship.
I fucking love it. The swearing alone rivals The Sopranos. (And we know how I feel about epic baroque cursing. It is one of my greatest joys in life. This stuff could be Slavic in its morphology, I kid you not). Granted, the camera work, which is done in that jolty docu-cam style, does make me a little sick to my stomach. But if you power through (and you should, you should, you should) you will be rewarded.
I like to think it rivals Mad Men in its nuance, especially with regard to the constructed nature of masculine worlds. It’s like that feminist revelation, that men have a gender, too. That it’s all just one great big pissing contest. And it’s funny. Ridiculous, awkward — bilious and bizarre simultaneously. It bristles with an amazing ensemble energy; it’s spectacularly cast. I cannot enthuse enough. I could write a whole post that consisted solely of CAPSLOCK SCREAM FLAIL OMG WTF !!!!. But I don’t want to sound like a maniacal tween girl chasing R. Pattz down the street any more than I want to sound like these guys.
So that’s that, then. I hope you are all well.